The Man in My Basement is a psychological thriller/horror hybrid directed by Nadia Latif (her feature debut), co written with Walter Mosley based on his 2004 novel. Set in Sag Harbor, New York in the 1990s, the plot centers on Charles Blakey (Corey Hawkins), a Black man who is financially struggling, facing foreclosure on his ancestral home. Into Charles's life steps Anniston Bennet (Willem Dafoe), a mysterious white businessman who offers a large sum to rent his basement for a couple of months, enough to solve Charles's money problems. But Bennet imposes odd conditions, builds a cell in the basement, and gradually the situation becomes a psychological, symbolic confrontation. The home, the basement, the past, race, power, guilt, inheritance - these all become focal points. Overall Impressions. The Man in My Basement is a fascinating, often unsettling film that asks big questions. Its strength lies in ideas: what it means to carry the past, the negotiation of power and race within intimate, domestic spaces, and the psychological tensions that emerge when someone "outsider" is allowed into a house literally into its basement and what that does to identity and history. It doesn't always succeed in being as gripping or sharply realized as its premise demands, and much of its power depends on how open a viewer is to subtext, metaphor, and mood over thriller mechanics. But as Nadia Latif's debut feature, it's bold, thoughtful, and memorable in many respects. Verdict: Who Might Like It / Who Might Not If you like horror or psychological thrillers with social commentary (especially on race and history), this film will offer a lot to chew on. If you prefer your horror more action driven, your thrillers more plot forward, or simpler/clearer, there may be moments where this feels slow or overly symbolic. Rating. I'd give it about 7/10 stars. It has more wins than misses-but it also doesn't fully deliver on all its ambitions.

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